A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.

A unique experience that immerses us in the history of experimental 3D techniques. Programmed and presented by filmmaker Blake Williams, the spectator will combine a diversity of three-dimensional glasses (Anaglyph, Pulfrich, ChromaDepth, Diffraction) with 16mm works by Paul Sharits, Hy Hirsh, Ken Jacobs, Takashi Ito, Kerry Laitala, Jeff Scher and Jodie Mack. Filters that change from one eye to the other, optical polyrhythms and illusions of depth, all will be part of this unforgettable Cinema of the Spectacles‘ journey.

This story revolves around a girl named Lee Soo-jung who was adopted and raised by her adoptive parents, Park Geum-ok and her father Lee Kyung-tae and her brother Lee Soo-ho. Lee Soo-jung is often in a bad relationship with Ma Ye-ri.

54-year-old Liesbeth is pushed to a new extreme when the men crossing her path don't seem to take her seriously.

The story of a South Asian girl coming of age and the awakening of her sexuality. She must overcome her own shame and fear to find her inner strength and true super-powers. With the arrival of her first period Maya’s world is turned upside down as she is confronted by the restrictive traditions of her conservative family and a world of hidden shame, stigma and taboo in contemporary London.

The story of a South Asian girl coming of age and the awakening of her sexuality. She must overcome her own shame and fear to find her inner strength and true super-powers. With the arrival of her first period Maya’s world is turned upside down as she is confronted by the restrictive traditions of her conservative family and a world of hidden shame, stigma and taboo in contemporary London.

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?